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Jumat, 31 Desember 2010

Free Download Hunting Che: How a U.S. Special Forces Team Helped Capture the World's Most Famous Revolutionary

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Hunting Che: How a U.S. Special Forces Team Helped Capture the World's Most Famous Revolutionary

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Hunting Che: How a U.S. Special Forces Team Helped Capture the World's Most Famous Revolutionary

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#detail-bullets .content {

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Audible Audiobook

Listening Length: 7 hours and 40 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Tantor Audio

Audible.com Release Date: July 2, 2013

Whispersync for Voice: Ready

Language: English, English

ASIN: B00D8F953M

Amazon Best Sellers Rank:

A good look into the missions of the Green Berets whose primary missions are to train, eqip and work through the forces of the host nation to overcome internal and external threats to their lives and security. Great reading into the history of counterinsurgency and its many variables and the American Special Forces trained to go anywhere, anytime, to accomplish anything.

A very interesting look at a little-known incident from the Cold War. It's a real page-turner. I flew through this one, and thoroughly enjoyed it. You get a number of different viewpoints, from leaders both in Washington and La Paz, and from both US and Bolivian soldiers and operatives. The narrative is also accompanied by a nice assortment of photographs of the various people involved.

This book was so good that I bought extra copies for my friends. it is a unique book because very few people know the final episode in Che's life and many don't understand what this so called revolutionary was doing in Bolivia at that time. There are photos which clearly show Che's condition when he was captured by the Bolivian's ranger. The story takes you back to the political situation in Latin America in the sixties. Once you start to read this book, it is hard to put it down.

Vivid, but pertinent storytelling coupled with well-articulated historical intelligence analysis. Definitely a great book that perfectly describes the kind of SF job that Groups were made for. I whole-heartedly recommend this book to anyone who wants to know about how COIN is SUPPOSED to work, or how the US used to deal with threats during the Vietnam era that were not actually in SE Asia.

WOW!!!! This is a complement... historical account, step by step how this fight took place....Very interesting. The avid reader, asmyself, keeps looking forward to see what is next. I did confirm, during those years, that many of these details happened... even remember reading them in the press.

As a historian, it was refreshing to read a book that actually chronicled the capture of Che. The CIA, contrary to popular lore, wanted him alive as he had more value in intelligence and propaganda than as a martyr.While the emphasis was on the fact that US Special Forces trained the Bolivian Rangers who ultimately captured Che, the real heroes are the Bolivian Soldiers and the two CIA Agents, one of whom was Felix Rodriguez, who were able to peice the clues together and steer the Rangers to the region where Che was operating/

One of the best non fiction books I have read.

Bolivians that fought as Rangers, or peasants that were patriotic have been punished by the Narco Dictator Communist Evo Morales, they are banned from any participation on official acts, events for military ,retired and active.The traitor Morales forces Bolivian soldiers to cry out the call of the Castristas, have Cuban and Venezuelan as advisors.Those that look at Che with admiration should know that he invaded nations, the last one Bolivia, as a typical Argentinian with arrogance he believed he would be welcome as a heroe and savior. He had two things against him, peasants and not being Bolivian.Bolivia had the most important revolution after Mexico in Americas, there was nothing that the Castristas could offer.Even Bolivian Communists would not support the terrorists.Guevara was cruel , he robbed peasants, tortured the mules and horses they used.The very few American military that trained our soldiers did a fantastic job, and it was not droves of American soldiers that got Che and the rest they were Bolivians defending the Motherland. La Patria.Retired General Gary Prado to this day has to defend himself from Morales that wants him in jail or dead for his participation as an officer defending his country ; he has constantly harassment from Evo Morales ,who calls Fidel Castro "my father". I have only words of thanks for the Americans, and patriotic Bolivians .We are proud of the military of that time, the lackeys of the Cubans and Chavez of today shame all of us.The authors captured the place ,people and time of an event that changed the evil plans of Castro , Che for ever.A very much needed account of the fight for freedom.

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Selasa, 28 Desember 2010

Download Automated Lighting: The Art and Science of Moving Light in Theatre, Live Performance and Entertainment (Paperback) - Common

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Automated Lighting: The Art and Science of Moving Light in Theatre, Live Performance and Entertainment (Paperback) - Common

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Automated Lighting: The Art and Science of Moving Light in Theatre, Live Performance and Entertainment (Paperback) - Common

Suitable for working and aspiring lighting professionals, this title includes information on advances in lamp sources such as LEDs and plasma lamps, automated and programmable displays, managing color, and methods for using electronics.

Read more

Product details

Paperback: 472 pages

Publisher: Focal Press (2010)

ASIN: B00FKYUZIS

Shipping Information: View shipping rates and policies

Average Customer Review:

4.6 out of 5 stars

30 customer reviews

Amazon Best Sellers Rank:

#1,851,741 in Books (See Top 100 in Books)

A great history lesson and general overview of the lighting industry, protocols and components that go into any major LD production.I come from a musical background, incorporating small scale lighting for live performances and setting up basic DMX fixtures. This book was perfect for what I wanted: a more in depth study of how LARGE scale operations take place, and what kind of options are available in the low-mid level price/scale range.This is a fairly technical book, but not too technical. I have no formal training in lighting, only what I read on the net, and in manuals. I would recommend this book if your looking to take your small production to the next level. It really lays out options including specific fixture/console names and who are the major players in the industry.The intro history section was SUPER cool, a great read even for a non-technical individual.

Great book.You'll find everything you need to know about the protocols, power requirements, and the uses of automated lighting in this detailed book.I'm only long for more detailed programming advice. For example, most used macros, specific examples of difficult tasks asked of people in the industry, specific cue list setups and their executor / button assignments, and favorite custom effects.

I really like this book because it describes how the moving lights Works, it explains the electrial, electronics, data, mechanics, optics and networks.Very easy to understand and complete. It's very technical if you don't know about computers and electronics but if you have worked with the moving heads I think it's not a big deal.The book also has some tips for programming and the lighting design.

Excellent Book at a fair price.

Great resource for the novice or experienced lighting designer. I would highly recommend purchasing the 3 book pack

Very detailed and easy read. Would recommend if you are taking a lighting class. This should be on the college listing.

This book won't make you a lighting designer, but certainly lays out the basics for those who need to know more in that direction. And he tries really hard to make everything understandable.

This is a great book for people wanting to learn more about Automated Lighting. The book covers tons of material from the history of automated lighting, through power requirements (including a detailed section on what power is and all of the different standards), through programming and so on. It is very easy to understand even for someone who has never touched a moving light.

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Kamis, 23 Desember 2010

Get Free Ebook Content Marketing: Tips + Tricks To Increase Credibility (Marketing Domination) (Volume 6)

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Content Marketing: Tips + Tricks To Increase Credibility (Marketing Domination) (Volume 6)

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Series: Marketing Domination (Book 6)

Paperback: 100 pages

Publisher: CreateSpace Independent Publishing Platform (October 30, 2016)

Language: English

ISBN-10: 1539418766

ISBN-13: 978-1539418764

Product Dimensions:

6 x 0.2 x 9 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#6,380,800 in Books (See Top 100 in Books)

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Minggu, 05 Desember 2010

Free Download , by R. E. Francis

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Product details

File Size: 180 KB

Print Length: 31 pages

Publisher: Pacific Press Publishing Association (July 28, 2014)

Publication Date: July 28, 2014

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00M7IBP70

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#809,830 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Sound biblical reasons for not wearing jewelry

Great product and service

I was great. Informative and well structured.

Great book, it points you to the bible and is explained in detail. I like the tone in which it is written. Once I started to read, I couldn't stop!! Lots of facts, I'll be purchasing a few for gifts.

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Sabtu, 04 Desember 2010

Download Ebook , by Ralph Whiteside Kerr

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, by Ralph Whiteside Kerr

Product details

File Size: 837 KB

Print Length: 147 pages

Simultaneous Device Usage: Unlimited

Publisher: Rosicrucian Order, AMORC (January 5, 2016)

Publication Date: January 5, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01A9HMJDO

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#9,750 Free in Kindle Store (See Top 100 Free in Kindle Store)

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Minggu, 14 November 2010

Ebook Free Vermont: A View from Above, by Charles Feil

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Vermont: A View from Above, by Charles Feil

Vermont: A View from Above, by Charles Feil


Vermont: A View from Above, by Charles Feil


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Product details

Hardcover: 96 pages

Publisher: Down East Books (January 1, 1991)

Language: English

ISBN-10: 0892724587

ISBN-13: 978-0892724581

Product Dimensions:

11.4 x 0.5 x 8.8 inches

Shipping Weight: 1.5 pounds

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#3,002,939 in Books (See Top 100 in Books)

Okay, so why give it 5 stars if it's not "outstanding"? Because it's about Vermont, and Vermont is perfect. That's the rule. Objectively, I'd have to give the book 4 stars.This book is an ideal coffee table book because it contains only pictures with very little accompanying information aside from the caption. Obviously all of the pictures are aerial, but some are focused on a small area -- like a building or bridge -- and others are of landscapes. Most of them were apparently taken after foliage season and throughout Winter; I would've liked to have seen a little more seasonal diversity.My favorite picture is on page 79 because I hope to have one of those myself someday.My least favorite is, unsurprisingly, on page 27. For some reason Feil has a tradition of including a shot of an auto salvage yard in his books, but I thought it took up the space where a good picture could be.Overall, Feil (and Rooty) do a nice job of capturing some unique moments in a one-of-a-kind place.

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Senin, 08 November 2010

Ebook Free The Most Monstrous of Wars: The Napoleonic Guerrilla War in Southern Italy, 1806-1811, by Milton Finley

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The Most Monstrous of Wars: The Napoleonic Guerrilla War in Southern Italy, 1806-1811, by Milton Finley

The Most Monstrous of Wars: The Napoleonic Guerrilla War in Southern Italy, 1806-1811, by Milton Finley


The Most Monstrous of Wars: The Napoleonic Guerrilla War in Southern Italy, 1806-1811, by Milton Finley


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The Most Monstrous of Wars: The Napoleonic Guerrilla War in Southern Italy, 1806-1811, by Milton Finley

About the Author

Milton Finley is professor of history and chair of the history and social sciences department at Louisiana State University-Shreveport.

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Product details

Hardcover: 161 pages

Publisher: Univ of South Carolina Pr (November 1, 1994)

Language: English

ISBN-10: 1570030065

ISBN-13: 978-1570030062

Product Dimensions:

6.2 x 0.8 x 9.2 inches

Shipping Weight: 12 ounces

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#1,782,900 in Books (See Top 100 in Books)

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Minggu, 07 November 2010

Download Linkages and Boundaries in Private and Public International Law

Download Linkages and Boundaries in Private and Public International Law

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Linkages and Boundaries in Private and Public International Law


Linkages and Boundaries in Private and Public International Law


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Linkages and Boundaries in Private and Public International Law

About the Author

Verónica Ruiz Abou-Nigm is Senior Lecturer in International Private Law at the University of Edinburgh. Kasey McCall-Smith is Lecturer in Public International Law at the University of Edinburgh. Duncan French is Professor of International Law at the University of Lincoln.

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Product details

Hardcover: 272 pages

Publisher: Hart Publishing (July 26, 2018)

Language: English

ISBN-10: 1509918620

ISBN-13: 978-1509918621

Product Dimensions:

6.1 x 0.8 x 9.2 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

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#2,819,423 in Books (See Top 100 in Books)

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Free Download Ishiro Honda: A Life in Film, from Godzilla to Kurosawa, by Steve Ryfle

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Ishiro Honda: A Life in Film, from Godzilla to Kurosawa, by Steve Ryfle

Review

“[Up] to the challenge, a major achievement ... as authoritative a biography as [Honda] will probably ever receive. If you loved these movies as a kid (or even continue to do so in adulthood), this book will be mighty hard to put down.”—Steve Mcfarlane, Cineaste Magazine“Where the authors really triumph is in the wealth of information provided about the autobiographical, historical and cultural context to Honda’s work ... The impression gained from this impressively researched tome is of a self-effacing yet highly accomplished director with his own distinctive vision, who despite being hamstrung by the success of his most famous film managed a career that fully justifies the comprehensive and in-depth consideration presented here.”—Jasper Sharp, Sight & Sound: The International Film Magazine“[A] wider, deeper and more valuable examination of not only one man’s career, but also the life that produced it and the system that nurtured it—and almost destroyed it.”—Mark Schilling, The Japan Times“[A]n appreciation of Japanese fantasy-film history through the eyes of a filmmaker whose name is obscure but populism remains influential.”—Christopher Borrelli, Chicago Tribune“Ishiro Honda: A Life in Film, From Godzilla to Kurosawa should serve as a model of how to do a film biography—any biography, really. Beautifully designed and produced, Ishiro Honda incorporates many illustrative photographs of the Japanese director and his associates without becoming a coffee table book; the text is clearly written, free of academic jargon or fanboy effusions; the book answers to a need as the first full-length account in English of Honda.”—David Luhrssen, Shepherd Express“[A] must-own title for anyone interested in Japanese science-fiction and Japanese cinema in general.”—Patrick Galvan, Toho Kingdom“Assembled from years of meticulous research, and detailing the entirety of Honda’s filmmaking spectrum, this prestige book offers an in-depth, revealing portrait of the man—as well as his movies—on a level previously unseen by western audiences.”—Patrick Galvan, SYFY Wire“Ishiro Honda: A Life in Film, from Godzilla to Kurosawa accomplishes a lot in under 350 pages. Perhaps most impressively, it provides the reader with a lasting sense of the man—his temperament, values, philosophies, dreams, and disappointments—behind some of cinema’s most beloved characters (Godzilla, Rodan, Mothra), while also exhaustively detailing the lifelong Toho director’s entire body of work (much of which is unavailable in the U.S. and even Japan).”—Chris Shields, Film Comment"This superb, comprehensive volume covers Honda's entire career in meticulous detail. It is lavishly illustrated with rare stills and has a complete filmography with detailed commentary on each film. Martin Scorsese provides a very brief foreword. Summing Up: Highly recommended."―Gwendolyn Audrey Foster, Choice "The writing, research, and sheer volume of sources used are admirable. ...[R]ich descriptions that punctuate the book situate the reader into the scenes of Honda's life and work. The authors emulate Honda's style of highly visceral and visual stories with poignant words and images. As quickly as the first chapter closes, the narrative flows smoothly in a chronological order, sparking the imagination as well as bringing to life a well-balanced textual tapestry. Ryfle and Godziszewski ensure that Honda steps out from the shadow of Godzilla and into the light of cinematic and academic appreciation."―Dr. Tiara K. Good, CBQ Journal

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"This carefully researched and detailed book gives us a full picture of the man and his life."―From the preface by Martin Scorsese"I first saw Godzilla in 1956 at the tender age of eight. Something about the film filled me with a somber dread―not the giant, fire-breathing monster destroying Tokyo, but the overall tone, an underlying sadness, a sense of grief and horror. Japan is the only nation to suffer atomic bombs dropped on two of its cities, and Godzilla gave powerful expression to this emotional ambience disguised as a giant monster movie. The director of this seminal motion picture was Ishiro Honda, the creator of an astonishing output of science-fiction and horror films from Toho Studios and one of my personal cinematic gods."―John Carpenter"Exhaustive researchers, Ryfle and Godziszewski delve deeply into the entirety of Honda's sometimes harrowing life while defining his films within Japanese studio system and his later collaborations with Kurosawa. Filling a huge vacuum of needed scholarship, it's required reading for genre fans and serious students of Japanese cinema alike."―Stuart Galbraith IV, author of The Emperor and the Wolf

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Product details

Hardcover: 336 pages

Publisher: Wesleyan University Press (October 3, 2017)

Language: English

ISBN-10: 0819570877

ISBN-13: 978-0819570871

Product Dimensions:

7.5 x 1.2 x 10.5 inches

Shipping Weight: 2.1 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

16 customer reviews

Amazon Best Sellers Rank:

#571,992 in Books (See Top 100 in Books)

Anybody who is familiar with Steve Ryfle and Ed Godziszewski know that these two men know their stuff when it comes to Godzilla and Toho science-fiction and fantasy movies. These two not only wrote seminal books about Godzilla; they also provided excellent audio commentaries on MOTHRA, BATTLE IN OUTER SPACE and several Godzilla movies and even a well-done documentary BRINGING GODZILLA DOWN TO SIZE, which can only be found on the sadly out-of-print RODAN and WAR OF THE GARGANTUAS set released by Classic Media. One can argue that it was through these audio commentaries that people in America started to take Godzilla and Ishiro Honda very seriously.Yet this book may in fact be their most crowning achievement, a culmination of their passion, knowledge, respect and enthusiasm for the movies they love and for a director they clearly respect. A labor of love that took almost a decade to create, ISHIRO HONDA: A LIFE OF FILM is also an obligation on the part of Ryfle and Godziszewski to re-evaluate and change Ishiro Honda’s stature and reputation here in the United States, from an inept director of campy, cut-rate fantasies and laughably cheap science-fiction movies to a serious artist that incorporated Japan’s real-life anxieties and political climates with wondrous special effects and larger-than-life monsters. It’s a formula that worked wonders for the Japanese box-office but were often compromised here in America due to executive meddling, painfully bad dubbing, censorship issues and the senseless rearrangement, deletion and butchering of many sequences, not just visually but through audio as well.But A LIFE OF FILM does more: it covers Honda’s background the a son of a Buddhist monk, the young kid who loved watching his movies and explaining their plots to his father, his years serving as a soldier during WWII and his return to a devastated Japan from the H-Bomb and how both periods influenced his filmmaking style, his working relationships with producer Tomoyuki Tanaka, music composer Akira Ifukube, special effect directors Eiji Tsuburaya and Teruyoshi Nakano and screenwriters Takeshi Kimura and Shinichi Sekizawa, and most intriguingly, Honda’s non-sci-fi works that he did before and after the release of GODZILLA, such as romantic comedies, family dramas and documentaries, most unpreserved in Japan and all virtually unknown in the States. It also covers Honda’s years working for TV, his role as an assistant director for several Kurosawa films, his death in 1993 and the reappraisal of his work that followed.Naturally, the main meat of this book is the sci-fi and fantasy movies Honda made from 1954-1975, all which are brilliantly documented by Ryfle and Godziszewski, both in how the movies were made and how they stand out today. This period is what defined Honda as a director, but it also became his curse. The success of GODZILLA caused Honda to be typecast into making sci-fi and fantasy movies from the late fifties to even his final film, TERROR OF MECHAGODZILLA. Honda remained a loyal company man a la Michael Curtiz and that loyalty resulted in many memorable movies such as RODAN, THE H-MAN, MOTHRA, ATRAGON, GORATH, MATANGO, WAR OF THE GARGANTUAS and most of the excellent GODZILLA sequels, from MOTHRA vs. GODZILLA to DESTROY ALL MONSTERS, but Honda’s reservations and discomfort in these genres are apparent, particularly in the chapters depicting the mid-to-late sixties when GODZILLA was slowly metamorphizing from an allegory of the nuclear bomb to a defender of justice. It's also to Ryfle and Godziszewski's credit that, for all their professed love for these movies, they never romanticize them to the point of exclaiming each a masterpiece, pointing out both virtues and flaws of even Honda's worst movies. Their opinions are astute, informative and always fair.Perhaps the greatest source of discord is the fact that these movies came at the expense of the films Honda truly wanted to make, most particularly straightforward human dramas akin to THE RED SHOES or LA STRADA. There are moments when Honda expresses hope that he could finally make the movies he desired, only to be denied due to either his own doing or circumstances beyond his control. Ryfle and Godziszewski excellently captures Honda’s conflicted feelings towards these movies, as well as providing insight on how Honda and the GODZILLA franchise especially were hit hard by the rise in popularity of television and the disastrous state of the Japanese cinema in the seventies. The period resulted in viciously slashed budgets, studios going under, many actors and filmmakers out of work and disarrayed works like SPACE AMOEBA and LATITUDE ZERO. In fact, when Honda’s swan song TERROR OF MECHAGODZILLA became the lowest-attended Godzilla movie of all time, it seemed that Japanese science-fiction and Honda’s career would go under, along with the rest of the industry.But unlike most directors, Honda’s career had a happy ending. Honda entered a new phase in his career when he worked as an assistant director with the great Akira Kurosawa on the master’s last five movies, from KAGEMUSHA to MADADAYO. It’s a wonderful irony that at the time Kurosawa was widely regarded as one of the greatest directors of all time while Honda was disparaged for those sci-fi and fantasy movies, yet it’s clear, from this book, that it was Honda who was the unsung hero in helping his friend achieve his vision without burning bridges and ruffling feathers from the studios. But the relationship was not always bell and whistles; Honda’s atypical reaction to Kurosawa’s ill-fated suicide attempt in the early seventies, which I won’t give away, is worth the price of admission alone. Darkly funny moments like this, however, are mainly offset by many more touching moments, most particularly when Martin Scorsese, who played Van Gogh in the crow sequence of Kurosawa’s DREAMS and even writes a preface for this book, took a photo with Honda and told him he was the reason he worked on DREAMS.In truth, Honda’s career was a success: a loyal studio director who, despite his misgivings, left behind an extraordinary body of work that continues to inspire directors and moviegoers alike, a man who helped his dear friend make some of the greatest movies of the eighties and someone genuinely respected and loved by the people who worked with him. Hopefully, the success of this book will encourage studios to restore and distribute many of Honda's most beloved and intriguing movies and even bring Japanese versions of films like GORATH, THE HUMAN VAPOR and KING KONG VS. GODZILLA to America. And with the eagerly anticipated US remake of KING KONG VS. GODZILLA coming out within a couple of years, the ripe for rediscovery and restoration is perfect.There is so much fascinating detail and information about this unheralded director that it would shock contemporary readers as to why this man was not appreciated, let alone understood, here in America. This book may have taken years to make, but it was worth the wait. Impeccably researched, beautifully written and consistently engaging from beginning to end, Steve Ryfle and Ed Godziszewski’s ISHIRO HONDA: A LIFE OF FILM belongs in every movie lover’s collection, especially lovers of science-fiction, fantasy and Japanese cinema in general.

If you are the type of film buff who enjoys watching CRITERION COLLECTION discs to go in depth behind the scenes of an old movie - to learn about the making of, the actors and production crew, culture contemporary to the film, and critical response, both positive and negative, then you will probably enjoy this book. If you have ever watched one of Mr. Honda's films and wished that he had left a commentary track behind for the film, then this book is the next best thing. Flipping back and forth between text and the hundreds of documented notes, it is apparent that the authors' work in researching and translating original source materials and interviews was a monumental task. The text is dense yet not artsy or pretentious. The authors are objective and present both positive and negative viewpoints of Mr. Honda's works from his former staff and actors, contemporary critics, and even his own words. I felt that this book greatly enriched my understanding of Japanese cinema, culture, and 20th century Japanese history.

Honda the movie director, Honda the company man, Honda the human being – authors Steve Ryfle and Ed Godziszewski explore these three facets of filmmaker Ishiro Honda’s life in this captivating biography. Especially praiseworthy is the decision to provide detailed examinations of Honda’s non-genre movies, which are not only fascinating in and of themselves, but also provide keen insight into Honda’s genre films.We also get a fuller picture of Honda the company man, an often frustrated visionary who nevertheless refused to make waves for Toho. And then, of course, there is Honda the human being, a gentle soul who never raised his voice to actors in a business known for its histrionic directors.The authors’ painstaking research and consummate prose reward the reader from beginning to end – a major accomplishment, a must-have for any kaiju eiga fan.

As someone who knows a great deal about Godzilla/Tokusatsu movies I was pleasantly surprised to find that this book was chock full of new information I didn't know. So, basically, this is not just a critiquing of all of Ishiro Honda's films, it has some very detailed, very fascinating bits of production info too if that's what you're into. For instance, did you know that before Toho made 1969's All Monsters Attack that they were planning a joint U.S.-Japan animated Godzilla TV series? Neither did I, and that's just a sampling of the awesome stuff you will learn. Also reviewed and detailed are Honda's non-tokusatsu Godzilla movies. The book even has pictures, so be sure to pick it up, it is well worth it!!!

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Page Numbers Source ISBN: 0195300475

Publisher: Oxford University Press; 2 edition (February 9, 2006)

Publication Date: February 9, 2006

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In his work, Fundamentalism and American Culture, Marsden described fundamentalism (coined in 1920) as a large American Protestant movement "shaped by the longstanding . . . urgent need for positive evangelism, missions, and spirituality." (Marsden, 2006, 119, 252) Marsden pointed out that during the 1800s, Thomas Reid's "Common Sense philosophy," with its "confidence in rational judgments of ordinary people, shaped the Puritan view of Biblical interpretation, later merging with the American evangelical heritage." During the early twentieth century, higher criticism of Scripture and Darwinism led to theological changes in the churches. For fundamentalists, "inerrancy" of Scripture implied a "scientific quality related to the view of truth as directly apprehended facts." Their strong orientation toward the printed word eschewed the mysterious in both exposition and worship. (Marsden, 57, 60-61, 251) Due to "Common Sense" philosophy, fundamentalists adopted a somewhat rationalist view of Scripture. As an early fundamentalist leader, B.B. Warfield emphasized that faith must be grounded in right reason. True to the demands of Common Sense, Warfield saw the effects of the Fall on human consciousness as pervasive but quite limited. Warfield carefully balanced his appeals to objective evidence with the subjective witness of the Holy Spirit. (Marsden, 115, 121) At Princeton Seminary, J. Gresham Machen struggled to preserve both his inherited Presbyterian faith and his intellectual integrity in a world in which the leading intellectuals, and even many theologians, ridiculed traditionalist Christianity. "The Church," he said, "is perishing today through the lack of thinking, not through an excess of it." For Machen, liberals subordinated Christianity to culture while evangelicals seemed to ignore culture in order to maintain a pure Christianity. He believed that since the cultural crisis was rooted in the intellectual crisis, an attempt to bypass culture and intellect, the arts and sciences, would simply make the situation worse. Machen's solution was the consecration of culture. Machen eventually assumed Warfield's mantle as chief intellectual spokesman for conservative Presbyterians. Francis Schaeffer studied briefly under Machen at Westminster Theological Seminary. Schaeffer was an effective popularizer of the Reformed idea that Christianity had powerful implications as a cultural critique. Yet, conservative Reformed scholars were finding it increasingly difficult to remain Renaissance Christian humanists. (Marsden, 137-8, 245)The Reformed traditions encouraged more positive attitudes toward intellect, the organized church, and the ideal of building a Christian civilization. Fundamentalist ambivalence about these subjects can be better understood if seen as reflecting not only immediate experience, but also the conflict between the pietist and the Calvinistic traditions. Within the Calvinist tradition, politics was a significant means of advancing the kingdom. Between 1865 and 1900, the view of social and political order transitioned from a postmillennial to a premillennial (or Pietistic) view of political action as no more than a means to restrain evil. By the 1920s, political conservatism consisted of pietists who would use government merely to restrain evil, of Calvinists preserving Christian civilization, or of Anabaptists opposing all Christian involvement in politics. (Marsden, 7, 86, 92) During the 1920s, fundamentalists were often regarded as anti-scientific and anti-intellectual." Their anti-intellectualism and paranoid style was "shaped by a desire to strike back at everything modern - the higher criticism, evolutionism, the social gospel, rational criticism of any kind." As a result, fundamentalists were losing much of their influence and respectability. Given the various views of eschatology, keeping premillennial teachings in the background became necessary for establishing a respectable and self-consciously conservative coalition against modernism. (Marsden, 7, 119, 199)Traditionally, American evangelicalism viewed God's redemptive work as manifested in the spiritual and moral progress of American society. Within fundamentalism, different beliefs concerning eschatology resulted in two very different worldviews. (Marsden, 38, 47-9, 63) Whereas premillennialists were less hopeful concerning progress, postmillennialists were optimistic about the spiritual progress of the culture.Nevertheless, premillennialists and postmillennialists regarded the state of American civilization with a mixture of hopeful loyalty and increasing alarm. Fundamentalists saw the fundamental issues as theological. In order to unite evangelical America, a new combination of revivalist, conservative, and premillennial traditions emerged. By 1925, the theological aspect of fundamentalism merged with its concern for the social and moral welfare of the nation. The battle for the Bible developed into a battle for civilization. Combined with changing mores in the culture, fundamentalists experienced profound ambivalence toward the surrounding culture. Marsden pointed out that fundamentalism of recent decades differs from that of the 1920s due to its "deep involvement in mainstream national politics." (Marsden, 153, 161-4, 231-2) Marsden examined the extraordinary growth in political emphasis and power of the more recent movement.As the era of faith in science and progressive consensus ended, the countercultural upheaval of the 1960s intervened. "In the 1970s distress over rapidly changing public standards regarding sexuality and the family combined with longstanding anti-communist patriotism to make fundamentalistic evangelicals ripe for political mobilization." Without much reflection on how practical political campaigns fit in with continuing predictions that the Rapture and end-times would commence in a few years, an ideal of cultural transformation reemerged as one of the most conspicuous traits of the movement. The central cultural paradox of fundamentalism was thus even more dramatically pronounced then ever. . . . America was simultaneously Babylon and God's chosen nation. Premillennial doctrine and postmillennial rhetoric mixed, reflecting a longstanding cultural ambivalence in the American evangelical heritage. As implicitly postmillennial political rhetoric was flourishing; premillennial end-time scenarios became more popular than ever." (Marsden, 241-249, 256)Modern historiography assumes that human and natural forces shape the course of history and its basic model is something like a biological concept of development.Prone to a more literal interpretation of Scripture, premillennialists begin with the assumption that ongoing warfare between God and Satan shapes history. On the other hand, postmillennialists saw human history as reflecting an ongoing struggle between cosmic forces of God and Satan, each well represented by various earthly powers, but with the victory of righteousness ensured. These totally opposed views of history lay at the heart of the conflict and misunderstanding between theological liberals and their fundamentalist opponents. (Marsden, 38, 47-9, 63) Considering context of evidence is one guideline for good historical writing. Marsden met this guideline by pointing out that the dispensationalist view seems less eccentric if placed in the context of the whole development of Western historiography. Marsden concludes, "[I]dentification of cultural forces, such as those with which this book is concerned, is essentially a constructive enterprise, with the positive purpose of finding the gold among the dross." Since we are limited by our culturally determined experience, Marsden states that we should ask God for grace to recognize our limitations as we "carefully identify the cultural forces which affect the current versions of Christianity." (Marsden, 259-260) In his work, Marsden described numerous events within the context of American culture that provided insight concerning the growth and development of fundamentalism during the last century. Marsden's description of fundamentalists as "militant" seems to describe the fundamentalism of my childhood. In his description of fundamentalists and their political activism during recent decades, Marsden provided relevant evidence, or immediacy, meeting a second guideline for good historical writing.In his discussion of B.B. Warfield, J. Gresham Machen, and Francis Schaeffer, Marsden identified causal connections. As a cognitive historian, Marsden met a third guideline for good historical writing by considering intellectual influence, wrestling with questions in history of ideas.Avoiding assumptions, Marsden met a fourth guideline by providing positive, specific evidence concerning events during the last century. Marsden addressed numerous issues within American culture, including the fundamentalist view of Scripture, the Reformed view of culture, as well as the role of differing eschatologies in political activism.In his work, Fundamentalism and American Culture, Marsden demonstrated a thorough, objective understanding of fundamentalism as a cultural phenomenon. Marsden's work would be a valuable addition to the personal library of anyone who seeks a deeper understanding of fundamentalism.

I heard George Marsden lecture at Princeton Theological Seminary a few months ago and was sufficiently impressed to want to try one of his books. So I picked this one.This is not my field and I wouldn't know a dispensational premillennialist if I tripped over one, but for the most part I was able to follow Marsden's chronology and analysis. The details of the doctrinal factionalism among the major Protestant denominations in the 19th century left me bewildered for a while but eventually I got the hang of it - and I was glad I did.For a semi-secular urban type like me, fundamentalism has always been associated with the south and epitomized (for better or worse) by William Jennings Bryan at the Scopes monkey trial. So I was surprised to learn that its roots lie in learned theological disputes among Presbyterians and Baptists in the north after the Civil War. And unlike the fundamentalism of today, the fundamentalism of 100 years ago largely avoided engagement with the political process.Documenting and explaining this century-long transformation is Marsden's task and he does a terrific job. The writing is clear, the approach is fair, and the occasional flashes of dry wit are welcome.The original book was published in 1980 but the new 2006 edition has an additional chapter that ties the recent rise of the Moral Majority and its companions to the larger history. If you would like shed some preconceptions and understand more about the culture, theology, and politics of fundamentalism, I can't imagine there is a better place to start.

Fundamentalism is the movement arising among Christians in the early 20th century who fervently defended the fundamental doctrines of Christianity while opposing modernist liberalism. In his Fundamentalism and American Culture, George M. Marsden investigates the historical context and ideological roots of what came to be American fundamentalist Christianity, recognizing complex influences from nineteenth-century traditions like revivalism, holiness, and patriotism. Marsden says, "Fundamentalists were evangelical Christians, close to the traditions of the dominant American revivalist establishment of the nineteenth century, who in the twentieth century militantly opposed both modernism in theology and the cultural changes that modernism endorsed" (4). His interpretation of the phenomenon of fundamentalism treads a middle ground between those who reduce it to a purely social reaction to the emerging trend of modernist thought, and someone like Ernest Sandeen who views fundamentalism as essentially theological (201). Some evaluations from observers of the height of the fundamentalist frenzy saw it as hollow and brief; the Christian Century said in 1926, "it is henceforth to be a disappearing quanitity in American religious life, while our churches go on to larger issues..." (192). Marsden does not relegate fundamentalism to the position of a short-lived radical sect, but sees it as a significant movement with deep roots and continued relevance to today's American evangelicalism. As a result, he devotes about half of his book to in depth account of late 19th and early 20th century currents of Christian thought.Marsden focuses on three major themes. First, he highlights a tension within fundamentalism--the tendency at times to preserve the perceived identity of American culture (viewing America as Israel), and at other times to take on the identity of a separatist minority sect (viewing America as Babylon). Second, he studies the prominent movements of Christian thought in American evangelicalism before the emergence of fundamentalism. He sees deep roots in America's revivalism, pietism, the popularity of holiness, and middle-class Victorian values. Third, Marsden observes a wavering stance among fundamentalists regarding science and the intellect. On one hand, the scientific "common sense" type of principles of 17th century philosopher Francis Bacon allowed the average person clearly to see the plain facts of God evident in Scripture. On the other hand, this same scientific approach allowed proponents of Darwinian evolution to discard the unrealistic, supernatural, miraculous accounts found in the Bible. Naturalism and evolution were powerful enemies of Christians who wanted to maintain the fundamental supernatural tenets of the faith. Increasingly over the years, anti-evolution became a more unifying passion than even adherence to Christian orthodoxy. Marsden comments, "Many people with little or no interest in fundamentalism's doctrinal concerns were drawn into the campaign to keep Darwinism out of America's schools... The more clearly [fundamentalists] realized that there was a mass audience for the message of the social danger of evolution, the more central this social message became" (170).After chronologically recounting the origins of fundamentalism, its peak in 1920-1925, as well as the subsequent gradual growth of fundamentalist ideology through denominations and universities, Marsden shares his interpretation of the movement. Fundamentalism was initially a religious assertion against the threat of modernism, but the event of World War I gave fundamentalism crucial characteristics. War-related crisis provided an occasion for paranoia and militant defense of religious views. Marsden compares evangelicals experience of encroaching modernism to the "traumatic cultural upheaval" of cross-cultural immigration (204).I find quite helpful Marsden's reluctance to paint the fundamentalist movement as either purely theological or purely social. By resisting extremes, Marsden's eyes are open to the great and sometimes even contradictory complex issues informing fundamentalism. He says it is "a mistake to reduce religious behavior to its social dimensions" and admirably acknoweledges the power of spiritual forces and deep-seated convictions (203). I wish he had made some value judgments, even if tentative and qualified, and used a biblical standard to grant the reader practical ideas for how to move forth with knowledge of historical fundamentalism. What traps and misconceptions did fundamentalists fall into that contemporary evangelical may be vigilant to avoid? For what elements of fundamentalism can we be grateful and which can we even strive to emulate? This desire of mine, though, is just because I'm more interested in ideas than events. I prefer philosophy to history. People who love history may have more fun reading this than I did. Marsden's objectivity seems appropriate to a scholarly book in the genre of history.

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