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The Jazz Theory Book, by Mark Levine
Get Free Ebook The Jazz Theory Book, by Mark Levine
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Review
There's a Mark Levine book called The Jazz Theory Book. I would suggest getting it and doing two pages a day just to study it and learn to read some basic piano, even if you can only pick out one note at a time. As you work through it you'll notice the way you hear and the way you sing will automatically start to change. ESPERANZA SPALDING --Personal correspondenceThis could be the single finest music book of any type I've ever seen. It's certainly the best explanation of the mechanics of jazz, and the amazing depth of the content is matched by the care and accuracy of the presentation. An invaluable resource for all improvising musicians regardless of instrument. BASS PLAYER MAGAZINE --Personal correspondenceMark has done it again. The Jazz Theory Book has the clarity that most pedagogical books strive for. This book seems to have left no stone unturned in what one should know about the inner sanctum of jazz theory. The most fruitful information is generally derived from the source and that is the essence of this book. This book is connected to the music of our Jazz Masters. You can't get any better than that. Even the mature musician will find information here. Truly a magnificent accomplishment. RUFUS REID --Personal correspondence
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Product details
Spiral-bound: 522 pages
Publisher: Sher Music (June 1, 1995)
Language: English
ISBN-10: 1883217040
ISBN-13: 978-1883217044
Product Dimensions:
9.8 x 1.1 x 12 inches
Shipping Weight: 2.6 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
218 customer reviews
Amazon Best Sellers Rank:
#15,200 in Books (See Top 100 in Books)
Coming from a self-taught background and having played keyboard/synth in rock bands for the past 10 years, I thought I would revisit the study of 'piano' properly and with due diligence. There were obvious gaps in my theory and my technique had disintegrated over the years, so when researching a methodology for approaching the piano I came across Mark Levine's 'Jazz Theory' and found the Holy Grail. At the time I even contemplated ironing out my 'education' by enrolling in a Bachelor of Music, however when I saw the content of this book and the robust approach it takes I knew that my plan was to devour this book; study it, apply it, absorb it, but above all, practice, practice, practice. This book is virtually a Music degree in itself. With the advent of Youtube, I can check out each jazz standard example given, played by a multitude of brilliant musicians; this also helps with technique as I can watch the pianists hands/fingers to see what they’re up to. Overall, the deal is this, and I'm applying this to myself at the moment and have done for the last 12 months; if you follow this book, page by page, review periodically, practise your butt off (3 hrs daily minimum) transpose everything into every key, and basically, suck this book like a sponge, you'll be as good as any decent jazz piano major from any music college. Don't believe me? Prove it to yourself by doing the following:1. Get this book2. Study it3. Practise the examples in all keysYou'll then be able to see what the difference is in 12 months’ time; your jazz knowledge and technique will exponentiate and it will blow your socks off, including your fellow musicians in your band/trio/ensemble and you’ll be a well-rounded musician.
After buying many many of them, humbly for me, if i had to choose just a few books on Jazz Theory, i would choose these:Bert Ligon - JAZZ THEORY RESOURCES, VOL. 1 & TWO (Really complete)Mark Levine - The Jazz Theory Book (Really good but not as complete as my first choice)Bert Ligon - Connecting Chords with Linear Harmony (new way to think...)Bert Ligon - COMPREHENSIVE TECHNIQUE for JAZZ MUSICIANS (Really good for practice)Hope it will spare some time to people:)
It is the definitive text - but in the Kindle version all of the illustrations are difficult read read and are cut off weirdly.
I think the only thing that could make this book any better is if it came with CDs of all the musical examples. I have only ready the first two chapters and a lot of things have become clearer for me. I would not say this book is very the absolute novice, but if you have some theory and knowledge of your instrument as an intermediate player you will gain a lot from working through this book. It would help to be able to read both treble and bass clef (such as a piano player does) but it is not an absolute must. I am a guitarist and theory is theory. A great book to buy, it does not disappoint and it will not leave you scratching your head and tossing it to the side out of frustration.
My significant other is an excellent classical pianist and has wanted to learn jazz piano for a long time. I talked to several professional jazz musicians and all of them referred me to this book. I am so glad I took their advice. She has spent many evenings a week learning the various scales and chords, why the music differs from others, how it differs from others, how notes are played differently, and even how to create her own chords based on provided notes. She loves this book and I love that she loves it. Highly recommended!
Fantastic book. Answered a lot of questions I had. It is better laid out in terms of sequence than the jazz piano book. The sequence oh this book introduces things more smoothly and in an integrated fashion. There is a lot of the same material as the jazz piano book but there is data in the jazz piano book which is not on thus one (more specific to pianists - like data on chord voicings) and there is data in this one on improvisation, repertoire and practise routines they is not in the piano book. When I went through this one several points about scales and modes I had misunderstood finally clicked.The great thing about these books is they don't oversell some "method" of "learning jazz quick" and they also do not over complicate things. The basic information is all there and after that it is just up to you to practice and explore and learn for yourself. Don't expect to read it cover to cover and be able to play jazz. It will be a matter of taking these principles and working on them in practice day after day. But I would say this is one of the best launching pads to take off from in terms of encompassing all the basics of Jazz.For the pianist, I would just buy both of his books and go through them in parallel or go through the chapters on scales and modes from this book first.
I have read other books on improvising, sometimes leaving me more confused in the process. Levine's explanation - while sometimes making my head hurt - ultimately makes sense, and helped me make sense of the other materials I have been reading. This book is well worth the read.
The best jazz music theory book out there. Do you want to understand jazz harmony and theory and improve your playing. This covers everything ! ..and better yet explains it all so it makes sense. Take it slow..a page or two a day is plenty. Having a piano to visualize and play the examples is even better ( or any kind of keyboard). I play jazz guitar and this book is amazing.
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